The Photography of Justin Wyndham Fisher

Aesthetic Dynamic describes the way I create photographic images. I start with a composition using line, shape, texture and, sometimes, colour created out of structures and light to form the aesthetic. The dynamic comes from the way other factors, usually people, contrast or harmonise with the composition to give greater meaning and energy.

Parallels 1: Manchester 1982        

Parallels is a series of images that use geometric shapes to act in unison with people to create an abstract counterpoint to reality. I call this abstract realism.

Parallels 2: Tate Modern, London 2023                

Parallels 3: Manchester 1982       

Parallels 4: London,  2024                

Fulcrum 1: Manchester Library, 1983                      

Fulcrum images are about the flow of the energy in the image

Fulcrum 2: Nyon, Switzerland, 1984  

Fulcrum 3: London, 2023                    

Fulcrum 4 - Overseer: London, 2023  

Fulcrum 5: Cambridge, 2025                     

Fulcrum 6: Barbican, London,  2023                        

Glance 1: Cambridge 2022                   

Glance 2: Nyon, Switzerland 1985       

Glance 3 - three figures: Lausanne, Switzerland 1985            

Glance 4: Birmingham 1985             

Wall  1: London 2023     

I’m drawn to wall spaces. They are like a canvas whose textures and patterns create their own presence, a presence that largely goes unnoticed as we pass through wrapped up in our own worlds of existence

Wall  2: London, 2023     

Wall 3: London, 2023       

Column 1: Manchester,  1983       

I like the way columns define their own space and the energy this can create

Column 2: Manchester,  1983          

Column 3: Manchester,  1983           

Column 4: London, 2023            

Column 5: London,  2024           

Column 6: Cambridge,  2025             

Large Figure With Small Boy: London, 2025             

Human Graffiti: Manchester,  1984

Time 1: Manchester, 1983                

Time 2: Nyon, Switzerland, 1984    

Time 3: London, 2023

Time 4: Nyon, Switzerland, 1984   

Euclidean Clouds: London, 2025 

Euclid is considered the godfather of geometry. This how I imagine he might make sense of clouds - the feet bring the metaphor down to earth

I hope my work leaves you with a sense of something missed - something exciting in the everyday that all too often passes us by - the ordinary as something to be celebrated