The Photography of Justin Wyndham Fisher
Aesthetic Dynamic describes the way I create photographic images. I start with a composition using line, shape, texture and, sometimes, colour created out of structures and light to form the aesthetic. The dynamic comes from the way other factors, usually people, contrast or harmonise with the composition to give greater meaning and energy.
Parallels 1: Manchester 1982
Parallels is a series of images that use geometric shapes to act in unison with people to create an abstract counterpoint to reality. I call this abstract realism.
Parallels 2 - Locked Unlocked: Tate Modern, London 2023
Parallels 3: Manchester 1982
Parallels 4: London, 2024
Fulcrum images are about the flow of the energy in the image
Fulcrum 1: Manchester Library, 1983
Fulcrum 2: Nyon, Switzerland, 1984
Fulcrum 3: London, 2023
Fulcrum 4 - Overseer: London, 2023
Fulcrum 5: Cambridge, 2025
Concrete Jaws: Barbican, London, 2023
Glance 1: Cambridge 2022
Glance 2: Nyon, Switzerland 1985
Glance 3 - three figures: Montreux, Switzerland 1985
Glance 4 - Interplay: Birmingham 1985
Wall 1: London 2023
I’m drawn to wall spaces. They are like a canvas whose textures and patterns create their own presence, a presence that largely goes unnoticed as we pass through wrapped up in our own worlds of existence
Wall 2: London, 2023
Wall 3: London, 2023
Column 1: Manchester, 1983
I like the way columns define their own space and the energy this can create
Column 2: Manchester, 1983
Column 3: Manchester, 1983
Column 4: London, 2023
Column 5: London, 2024
Column 6: Cambridge, 2025
Column 7 - Large Figure With Small Boy: London, 2025
Human Graffiti: Manchester, 1984
Time 1: Manchester, 1983
Time 2: Nyon, Switzerland, 1984
Time 3: London, 2023
Time 4: Nyon, Switzerland, 1984
Euclidean Clouds: London, 2025
I hope my work leaves you with a sense of something missed - something exciting in the everyday that all too often passes us by - a celebration of the ordinary as something to be celebrated