The Photography of Justin W Fisher

Aesthetic Dynamic simply describes the way I create photographic images. I start with a composition using line, shape, texture and, sometimes, colour created out of structures and light to form the aesthetic. The dynamic comes from the way other factors, usually people, contrasts or harmonises with the composition to give greater depth and energy.

Parallels 1: Manchester 1982        

When a single image captures both a human form and its abstract geometric parallel the concept is called Organic-Geometric Contrast. I refer to these images as Parallels.

Parallels 2 - Locked Unlocked: Tate Modern, London 2023     

Parallels 3: Manchester 1982          

Fulcrum 1: Manchester Library, 1983                             

Fulcrum 2: Nyon, Switzerland, 1984    

Fulcrum 3: London, 2023                       

Fulcrum 4: London, 2023                       

Fulcrum 5: Cambridge, 2025                     

Concrete Jaws: Barbican, London,  2023                

Glance 1: Cambridge 2022                   

Glance 2: Nyon, Switzerland 1985          

Triptych - three figures: Montreux, Switzerland 1985    

Interplay: Birmingham 1985        

Wall  1: London 2023     

I’m drawn to wall spaces. They are like a canvas whose textures and patterns create their own presence, a presence that largely goes unnoticed as we pass through wrapped up in our own worlds of existence

Wall  2: London, 2023     

Wall 3: London, 2023            

Column 1: Manchester,  1983                  

Column 2: Manchester,  1983                   

Column 3: Manchester,  1983                       

Column 4: London, 2023            

Column 5: London,  2024

Column 6: London,  2024

Column 7: Cambridge,  2025                             

Column 8 - Large Figure With Small Boy: London,  2025  

Human Graffiti: Manchester,  1984      

Time 1: Manchester, 1983

Time 2: Nyon, Switzerland, 1984                   

Time 3: London, 2023       

Time 4: Nyon, Switzerland, 1984               

Euclidean Clouds: London, 2025          

I hope my work leaves you with a sense of something missed - something exciting in the everyday that all too often passes us by - a celebration of the ordinary as something exceptional